Kihako Narisawa directs an interdisciplinary art research, practices, and collective works, to share a mutual appreciation for experimental projects that bend and challenge genre. Her conceptual practice spans a wide range of media including spoken text, poetry, sound-scape, video, installation, and physical performance.

Striving to develop works that reflects this ideal through connecting and collaborating with artists and designers from various avenues of creativity. That enables the possibilities for new influence and exchange to direct the experience of creative process which construct identities, concepts and common ground to communicate with.

≪TRAJECTORY≫ — 2022 — Multimedia Choreographic Work

≪TRAJECTORY≫ — 2022 — Multimedia Choreographic Work

≪UP-CYCLING≫ — 2022 — Outdoor Performance Work as collective BETTER-LATE

≪UP-CYCLING≫ — 2022 — Outdoor Performance Work as collective BETTER-LATE

≪wonderland≫ — 2019 — Choreographic Research + Performance Work with Keith Chin

≪wonderland≫ — 2019 — Choreographic Research + Performance Work with Keith Chin

≪Have I ever spoken properly?≫ — 2020 — Participatory Performance Work

≪Have I ever spoken properly?≫ — 2020 — Participatory Performance Work

≪Anti-Specificity≫ — 2019 — Choreographic Research + Creative Praxis

≪Anti-Specificity≫ — 2019 — Choreographic Research + Creative Praxis

≪Fake Label of Art Work≫ — 2020 — Scenic Installation

≪Fake Label of Art Work≫ — 2020 — Scenic Installation

≪A STORY≫ — 2020 — Conceptual Work + Poetry

≪A STORY≫ — 2020 — Conceptual Work + Poetry

≪a.é.p.s≫ — 2019 — Dance Choreographic Work co-choreographed with Claudio Costantino

≪a.é.p.s≫ — 2019 — Dance Choreographic Work co-choreographed with Claudio Costantino

≪re/cognition≫ — 2018 — Choreographic Research + Performance Work

≪re/cognition≫ — 2018 — Choreographic Research + Performance Work

≪within arm's length≫ — 2018 — Participatory Physical Performance with Keith Chin

≪within arm's length≫ — 2018 — Participatory Physical Performance with Keith Chin

≪into the why #3≫ — 2018 — Conceptual Performance Work + Video Production with De-Da Productions

≪into the why #3≫ — 2018 — Conceptual Performance Work + Video Production with De-Da Productions

≪into the why #2≫ — 2018 — Conceptual Performance Work + Video Production with De-Da Productions

≪into the why #2≫ — 2018 — Conceptual Performance Work + Video Production with De-Da Productions

≪into the why≫ — 2017 — Conceptual Performance Work + Video Production with De-Da Productions

≪into the why≫ — 2017 — Conceptual Performance Work + Video Production with De-Da Productions

≪why do I do this?≫ — 2017 — Dance Performance + Photographic Work

≪why do I do this?≫ — 2017 — Dance Performance + Photographic Work

≪line≫ — 2017 — Photographic Exhibition

≪line≫ — 2017 — Photographic Exhibition

≪FIGURATIVE≫ — 2016 — Choreographic Research + Creative Praxis

≪FIGURATIVE≫ — 2016 — Choreographic Research + Creative Praxis

≪P.S.≫ — 2015 — Lecture Performance Work

≪P.S.≫ — 2015 — Lecture Performance Work

≪exchange≫ — 2015 — Performance Work co-concept with Jeremy Nedd

≪exchange≫ — 2015 — Performance Work co-concept with Jeremy Nedd

≪Room 49≫ — 2013 — Dance Choreographic Work

≪Room 49≫ — 2013 — Dance Choreographic Work

≪glitch≫ — 2012 — Dance Choreographic Work

≪glitch≫ — 2012 — Dance Choreographic Work

≪phóné phainó phoney≫ — 2015 — Performance Work co-concept with Jeremy Nedd and Fabrizio Di Salvo

≪phóné phainó phoney≫ — 2015 — Performance Work co-concept with Jeremy Nedd and Fabrizio Di Salvo

≪tear the surface away≫ — 2011 — Photographic Exhibition

≪tear the surface away≫ — 2011 — Photographic Exhibition

searching for invisible words

‘who are you?’

I don’t know right now.

at least, I know who I was when I got up this morning.

I think I must have changed several times since then.

‘what do you mean by that?’

I can’t explain myself, because I’m not myself, you know.

‘I don’t know.’

I can’t explain it, because I can’t understand it myself.

it's very confusing.

‘it isn’t.’

well…

perhaps not yet.

but when you have to change someday,

you will also find it confusing.

‘not a bit.’

well…

your feelings may be different.

all I know is — it would feel very strange to me.

‘you…’

‘who are you?’

I think you should tell me who you are, first.

‘why?’

H O W I T W O U L D B E W I T H A N O T H E R Y O U A N D A N O T H E R M E

H O W I T W O U L D B E W I T H A N O T H E R Y O U A N D A N O T H E R M E